“Die Hure” (The whore (Love making))
Details
Small customs stamp on the reverse.
Lorenz WK 6.3.18.
Literature:
Barton, Brigid S., Otto Dix und Die neue Sachlichkeit 1918-1925, Diss, Ann Arbor/Michigan 1981, I.C.8 and I.C. 40; Kinkel, Hans, Otto Dix. Protokolle der Hölle, Zeichnungen, Frankfurt/Main et al. 1968, ill. 52; Drawings by Dix, in: The National Gallery of Canada, Journal No. 4, Ottawa, January 1975, No. 19;
Ausstellung:
Otto Dix. Drawings and Gouaches 1911-1918, Kunst Kabinett Klihm, Munich 1962, cat. no. 37, with illus. Hand Drawings, Gouaches, Etchings from 1911 to 1928, Württembergischer Kunstverein, Stuttgart 1963, cat. no. 37; Early Drawings by Otto Dix, Kunstmuseum, Düsseldorf 1966, cat. no. 43; Galerie Dr Ernst Hauswedell, Baden-Baden 1967, cat. no. 15; Galerie Regio, Düsseldorf 1966, cat. no. 43, with illus.No. 15; Galerie Regio, Lörrach, 1968, cat. no. 2, with illus.; Galerie Welz, Salzburg, n.d.; Otto Dix. acquarelli, disegni, incisioni, Galleria Giulia, Goethe-Institut, Rome 1972, no. 46; Otto Dix. Watercolours, drawings, etching series “Der Krieg”, Museum Folkwang, Essen and others 1971/72, cat. no. 46; Otto Dix – Zwischen den Kriegen. Zeichnungen, Aquarelle, Kartons und Druckgrafik 1912-1939, Haus am Waldsee, Berlin/Kunstverein, Hanover 1977, cat. no. 31, with illus. p. 47; Otto Dix. Drawings and Watercolours, Serge Sabarsky Gallery, New York 1978 and 1980, cat. no. 2; Internationaler Kunstmarkt, Cologne, October 1979; Works by German Expressionists, Serge Sabarsky Gallery, New York 1983, cat. no. 3; An Exhibition of Works by Otto Dix, Serge Sabarsky Gallery, New York 1983/84, cat. no. 17; Otto Dix, Villa Croce, Genoa and others 1986/87, cat. nos. 76 and 87; Otto Dix. Die frühen Jahre, Erholungshaus der Bayer AG, Leverkusen and others 1989-1999, cat. nos. 20 and 27; Otto Dix zum 99. “Kinderwelt und Kinderbildnis”, Städtische Galerie Villingen-Schwenningen and others 1990/91, cat.No. 133.
Provenance:
Kunstkabinett/Galerie Klihm, Munich 1962; Serge Sabarsky Collection/Asset, New York, acquired from the aforementioned in 1980; Vally Sabarsky Collection/Foundation, New York.
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